Script Writer
Understanding Script
Writer
Definition editor /
Writer Script according to Indonesian Dictionary of the people who edited the
manuscript or article to be published in magazines, newspapers, etc., while
understanding the scenario is the plan of a play or film script of a scene
after scene is written in detail.
Thus, the general understanding script scenario writer or editor is in
charge of editing scripts to be produced by a company or a film producer. Scenario in the sense here is the scenario
for the film, whether presented in a series on television (soap opera) as well
as screenplays for feature films. Scenarios to play the play is not covered
here because it's not working areas Script Writer in a production house (PH) or
film production house.
Scenario
of a series of scene after scene story (part) written in detail by an author or
team of writers who will be visualized in the form of images.
Based on that
information, essentially an SE bridge between the author served with the director,
producer, and also the image editing to give the best results, so the
impressions generated by the audience liked. (More or less the same as the
editor in the publishing world that has more to understand the position and
performance by the community).
Editorial aspects that
need to be understood by a Script Writer included in some ways, as follows:
1.
Understanding
the vision and mission of the company where he worked in general to handle the
scenarios, whether for social or commercial purposes, for the series of
short-term, long term, or a movie off.
From
here, a Script Writer also must understand and correctly understand the
standards the company places itself working to assess and determine appropriate
scenarios to be produced.
Each company has a standard assessment and
feasibility of different. A writer can be considered great in company B, he did
not mean anything in company D, for example.
However,
there are universal values that apply everywhere, so the scenario can be said
to produce good and decent.
2.
Understanding
the type of story that would handle, whether it's type of drama, documentary,
and comedy.
Knowing
the type of story is very important because a Script Writer will know how to
direct the writer if there deficiencies that do not fit with the notion of the
story.
3.
Understanding
where the story scenarios that will be produced as a whole.
Usually
to determine the overall story, which is contained in a global synopsis already
involves several parties concerned to produce soap operas or movies, the
writer, Script Writer, director, and producer.
Often
the image editing section included to provide feedback about the things that
should not have to be written, do not need to take pictures because redundant.
Determination
of the global concept of the direction this story will be very helpful script
when the script writers Writer handled already distorted and not focused on its
original destination.
4.
Underst
and what each of shortage of writers who handled the story so easy to provide
direction and input for the revision process of the authors can give the best
results, in accordance with company standards and global concepts that have
been agreed from the beginning.
5.
Understand
that writing the scenario is not only a good idea to move in the paper.
Results are listed in writing in that scenario must be able to properly
visualized so that it can be accepted by the audience. It is futile, if a
scenario writer describes a scene or a great description of the scenario, but
can not be visualized.
The
need to always remember, the purpose of writing scenarios is to visualize the
results visualized and that's what people watch or enjoy.
6.
Checking
things generally agreed what should not be present at the spectacle, such as
excessive physical violence, swear words and dirty degrading human dignity, the
concepts that contain criticism, slander, or any other degrading , Etc.
7.
Checking the technical completeness of the
manuscript; files, printouts, recaps players, synopses of episodes,
characterization, and others. Each company has their own rules about this.
8.
Provide
feedback to the director for making certain scenes that could be explained
verbally, but can not be explained in the description in the scenario.
Not
to forget also provide feedback to the editor of a picture of the scenes that
can not be eliminated or should be eliminated.
In
order to carry out and fulfill all the tasks that editorial, a Script Writer is
not only one who has knowledge or sufficient experience in the field.
Script Writer, however
one must be a man capable of placing himself as a candidate for the audience
when he read a scenario by imagining an objective visualization, whether stated
in writing that such scenario would be interesting or even to annoy the audience,
and has the ability to direct the authors in improving writing.Thus, in the
revision process of writing the author can give as expected.
Script Writer must be a man who
has a clear vision, has extensive knowledge, have good communication skills
because he will deal with the writers, directors, producers, and other parties
related to film production, and are willing to continue studying because of the
development information is extremely fast, would not want to prosecute a Script
Writer must continue learning so that what is conveyed in the direction the
author is no longer the old-fashioned or even no longer of interest to the
public.
Script Editor is the first to
find out whether or not a good scenario, other than the author - of course -
which is often claimed that his writing is best, and those who first saw the
objective mind whether he had read the scenario good or bad, worthy or not
feasible to produce, what the pros and cons.
In the hands of an
experienced Script Writer, a scenario that is very bad but the premise is a
good embryo, can be made excellent, even when only read one, others can fall in
love and are interested in waiting for results visualization.
With the help of a
Script Writer Besides, the original author did not have time to think 'crazy
things' to be written, could give rise to the writings of the extraordinary.
Unfortunately, Script
Writer's existence has not been as strong as other job positions in a PH. In
fact there are probably a lot of PH does not have Script Writer, feeling quite
satisfied with the ability to rely on the script-writers who are considered
perhaps already experienced.
But remember, no
matter how experienced a screenwriter, one day he will not forget, he will
attend not notice the quality of his writing-especially for the series of
impressions more than 100 episodes.
Here is necessary the
presence of another person, who can see and read the scenario objectively, the
script.
Script
Writer's Award to feel very little else. This shortage is not solely in terms
of material that can easily be mentioned feasible or not feasible.
With a working system
that is usually not bound by time, many PH that did not even include the name
of SE which handles a specific title that appear in television soap operas as
well as in wide screen.
PH was pretty displays
the name of the author alone scenario, considering that all born of a writer.
And Script Writer has major stakes in the birth of a great work through writing
a good script.
Thus, a glimpse of the
Script Writer whose existence has not so "considered" and calculated
as a necessity in PH. Even the public may also still too ignorant to understand
what was the work of a Script Writer.
Recognized or not, the
existence of Script Writer is essential to maintain the continuity of the
story. Script Writer contribute much to produce great works, although never to
be seen and exposed, because the only work behind the scenes.
0 komentar:
Posting Komentar